Sunday, 29 April 2007

Nigerian Artist Olu Amoda's forthcoming first solo New York exhibition is at Skoto Gallery

Head & Tie: Fashion Architectronic
A solo exhibition by Olu Amoda

In this body of work, the artist draws upon the fashion, the head-ties and the lifestyles of the high and low society women in Lagos, as well as the textures, harmony, dissonance and the complications of urban living through the subjective lens of his experience, knowledge of the formal language of sculpture, metal lines and forms to create works that are evocative, capture the vitality and dynamic of cosmopolitan Africa, and the power of mass and space to clarify the spirit of the people. He is aware of function and experiment in the creative process and possesses a strong ability to draw in space by cutting, rolling and bending metals or fusing found objects – not with a pencil, but a welding torch.

Olu Amoda’s work involves welding several found objects including iron, a tough unyielding material lacking in the fine sinuosity of the precious metals to create sculpture that are full of powerful contrasts. They are gritty and seductive, brooding and redemptive, personal and monumental all at the same time. The power of the work derives from its combination of abstract shapes with pointed references to the human form while the use of other materials enhance the crisp contours and imparts a solidity typical of conventional sculpture that are imbued with enigmatic beauty that reflects subtle understanding of context, respect for tradition while embracing modernism and capable of attaining a synthesis between matter and space.

His work indicts the social and political reality around him, a reality shaped by his perspective as a leading African artist of his generation whose work continues to help shape perceptions about the aesthetic and cultural character of the continent. At a time, when so much attention is being given to the works of African artists who live and practice outside Africa by curators and exhibition organizers in the West in constructing narratives on contemporary African art practice, Olu Amoda and other artists who live and work in the continent, provide an alternative, optimistic stance in the repositioning and rewriting of art historical discourse with deep insightful commentaries and observations on the social, economic and political realities of modern Africa.

The Exhibition begins runs from the 10th May to June 30th 2007

For more information go to
culled from the press release.


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